This time of the year the leaves become eye candy for me. On my walk I knelt down to see what compositions I could find. While kneeling the wind would blow, bringing down more leaves, and moving those already on the ground. It becomes a continuous creation of new compositions. And there seems to be an infinite number of leaves of different shapes, sizes and colors for nature to work with. However, they are more than eye candy because their life cycle includes decomposing, restocking the soil with nutrients and making up part of the spongy humus layer of the ground that absorbs and holds rainfall. They also become food for numerous soil organisms vital to the ecosystem. Yes, they are more than eye candy. How beautiful life is!
I’m telling on myself. Thursday morning I took a few images at Pineridge Natural Area of the predawn light. I did not shoot many images, making 7 compositions, placing the horizon in the various locations in the frame. When I loaded them on the computer at home they were all underexposed. I then discovered I had set the camera in manual mode yesterday and never checked the exposure. I made a critical assumption the camera would take care of everything, all I had to do was make the composition. Wrong. Way too much dependance on the camera and not checking my settings!
A lot of seasonal changes are taking place here in Colorado. As the nights get longer and there’s less sunlight, leaves stop making chlorophyll, losing their green colors, some change to yellow, orange, red, brown and gray. These leaves will freeze in winter, so the trees are letting go, allowing them to decompose and restock the soil with nutrients for next spring. I love this time of the year and this process of dying to renew life.
I attended my 55th class reunion dinner last night and enjoyed catching up with them. One facet of reunions is finding out more have died than I knew about. Just the same we get to reminisce about our youth. I’m leaving a few minutes to attend today’s picnic. I am finding it interesting how little I really knew about my classmates and the erroneous assumptions I had about them in high school. And that is also true of how they perceived me. Many thought they didn’t fit in. Just like me! Fascinating to me.
I’ve read where we should never place the subject in the middle of an image because placing the subjects off-center yields a stronger, more natural-looking composition and allows us to make creative use of negative space. Well I dodid will break that composition rule technique. I’ve also read that we should not should on ourselves, so I suppose I should stop that.
The top image is predawn light over Dixon Reservoir taken at 5:49 am and the second image was taken seven minutes later at 5:56 am about 40 feet from the first one. Again, showing us how nature continuously creates. Hope you have a wonderful weekend!
God, grant me the serenity to accept the scenes I cannot change, courage to change the scenes I can, and wisdom to know the difference.
I have been praying the Serenity Prayer every morning before my feet hit the floor for a few years now. The prayer is about three basic things: serenity (acceptance), courage (to change) and wisdom. I’ve become aware that I’ve been using this prayer in my photography without realizing it, but with a slight twist. I would suggest you may also. Let me explain using these two images.
I noticed this scene while driving along County Road 19. I knew from the get-go I was not going to have the image I wanted because of the close proximity of the house and tree. I wanted the sun setting behind the tree without the house but with the tree more towards the center. Wasn’t gonna happen in this scene. A couple extreme options were…
I could burn the house down but there would be court dates to deal with and I didn’t think the image would be worth the outta pocket expenses. Another option was to move the tree but I didn’t have a chainsaw for that task, nor the time. I don’t know about you but I seldom carry a chainsaw in my camera bag. Or I could….
… accept the scene as it is. So, I began by changing my expectations. The image I wanted when I first saw this scene I was not going to get. But, here is what I could do. I could work with my exposure, making sure it was what I wanted. I had my 70-300mm zoom on my camera because I had been photographing pronghorn antelope a few minutes earlier. So, I took a half dozen images, cropping at various focal lengths with and without the house in it. Again, I had little time to decide before the sun set.
I’ve been shooting long enough to know that I will not always come home with a keeper. I’m comfortable with that knowledge and therefore do not get as frustrated and lose my (serenity). I knew I could accept the scene as it is, aware I may trash all of them later (courage). Of course this is much easier today with digital than film days (more courage). I also knew that I was there to witness this gift of nature and store this scene in that place Mary Oliver calls the “kingdom we call remembrance.” I also know there would be other opportunities to come (wisdom).
After bringing the images home I found a couple that worked for me. The top image is without a crop and includes the house. It turned out better than I envisioned. I find it quite acceptable. The second image is the same image but with the house cropped out. Having the tree as far to the edge of the frame really did not take away from what I first saw. Shows you what I know. Both images are acceptable to me. If you are so inclined please let me know which image you like better. And, what experiences have you like this?
Just for fun, and because Tom stirred the pot, I went back and looked at other images I took to see if I include the whole house. I did and like them as well. I also did not realize how I must have moved along the road in my attempt to eliminate the house because this image has the sun on the opposite side of the tree.
